{"id":3388,"date":"2024-09-28T04:41:40","date_gmt":"2024-09-28T09:41:40","guid":{"rendered":"https:\/\/midbo.co\/?page_id=3388"},"modified":"2024-10-23T13:24:36","modified_gmt":"2024-10-23T18:24:36","slug":"42_84","status":"publish","type":"page","link":"https:\/\/versiones.midbo.co\/27\/42_84\/","title":{"rendered":"42_84"},"content":{"rendered":"\t\t
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84<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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VESTIGIOS QUE ARDEN<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Rese\u00f1a<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Un mismo a\u00f1o (1984), dos archivos de im\u00e1genes encontrados, sin raz\u00f3n aparente, en una misma caja, un asesinato pol\u00edtico, un pa\u00eds: Colombia. \u00c1lvaro Ulcu\u00e9 Chocu\u00e9, sacerdote y activista por los derechos de los ind\u00edgenas, fue asesinado a tiros. El crimen ocurre en medio de una negociaci\u00f3n de paz entre el gobierno colombiano de entonces y las guerrillas. La imagen documental del conflicto parece el contraplano de una pel\u00edcula de ficci\u00f3n, o al rev\u00e9s. Las im\u00e1genes a veces no hablan (como los archivos de pel\u00edculas sin sonido), pero sin embargo arden, centellean, invitan a la acci\u00f3n. Daniel Cort\u00e9s asume el encuentro con esos archivos como un mandato y una se\u00f1al. Por un lado, ellas le revelan un linaje familiar; por otro, inscriben esa familia (la suya) en un marco m\u00e1s amplio: el de una sociedad familiarizada, ayer como hoy, con la guerra. El acto es reciclar (remontar, hacer vivir de nuevo) las im\u00e1genes de la guerra, pues en ellas mismas se encuentra la huella de la resistencia. Y desde ah\u00ed se puede volver a empezar.<\/p>


Por Pedro Adri\u00e1n Zuluaga<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Pa\u00eds:<\/strong> Colombia
A\u00f1o:<\/strong> 2024
Duraci\u00f3n:<\/strong> 14 min
Producci\u00f3n:<\/strong> Jos\u00e9 Manuel Duque
Fotograf\u00eda: <\/strong>N\/A
Sonido: <\/strong>Daniel Giraldo, Alejandro Bernal
Montaje:<\/strong> Juan Ca\u00f1ola<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Trailer<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Director<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDaniel Cort\u00e9s<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

\"\"<\/p>

Daniel se ha desempe\u00f1ado como director y productor de sus propios cortometrajes de no ficci\u00f3n, proponiendo un cine de archivo que suspende la centralidad de la narrativa, y juega desde la especulaci\u00f3n y la cocreaci\u00f3n a interrogar relatos y memorias oficiales. Sus pel\u00edculas como director se han presentado en festivales como IDFA, Jihlava, Montr\u00e9al International Documentary Festival – RIDM, Punto de Vista, Vancouver Latin American Festival-VLAFF, MIDBO, FICCALI, Frontera Sur, entre otros. Reci\u00e9n termin\u00f3 la postproducci\u00f3n de su primer largometraje, Espejos Rotos, una intriga de archivo al rededor de la actriz del cine mudo Emely Vargas. Es productor de las pel\u00edculas La noche del minotauro (2023, Mejor cortometraje en Mar del Plata) y Las razones del lobo(2020, Biarritz, La Habana). Tambi\u00e9n fund\u00f3 y lidera el Archivo Shub, un entorno de preservaci\u00f3n y creaci\u00f3n con archivos audiovisuales.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Funciones<\/h2>

D\u00eda:<\/strong> Sabado 2 de Noviembre\u00a0 2024
Sala:<\/strong> Sala 2
Hora:<\/strong> 19:00 hr
Lugar:<\/strong> Cinemateca de Bogot\u00e1<\/p>

*Esta pel\u00edcula se proyecta junto Tartessos Dune, Arkh\u00e9 y La noche del monotauro.
*Conversatorio con Pedro Adri\u00e1n Zuluaga<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tADQUIERE TU BOLETA<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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84 VESTIGIOS QUE ARDEN Rese\u00f1a Un mismo a\u00f1o (1984), dos archivos de im\u00e1genes encontrados, sin raz\u00f3n aparente, en una misma […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3388","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\n42_84 - 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