{"id":2764,"date":"2024-09-25T21:24:04","date_gmt":"2024-09-26T02:24:04","guid":{"rendered":"https:\/\/midbo.co\/?page_id=2764"},"modified":"2024-10-09T18:19:29","modified_gmt":"2024-10-09T23:19:29","slug":"12_otro-sol","status":"publish","type":"page","link":"https:\/\/versiones.midbo.co\/27\/12_otro-sol\/","title":{"rendered":"12_Otro Sol"},"content":{"rendered":"\t\t
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Otro Sol<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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COMPETENCIA IBEROAMERICANA\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Rese\u00f1a<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Entre la ficci\u00f3n y el documental se encuentra el mito. El realizador Francisco Rodr\u00edguez Teare ubica al mito entre las grietas narrativas de los dos g\u00e9neros del cine en esta pel\u00edcula de personajes reales e inventados que cuestiona la veracidad de un hecho de archivo judicial. El primer largometraje del artista y cineasta chileno, propone la invenci\u00f3n de una ficci\u00f3n posible al tiempo que la investiga. La historia de la haza\u00f1a del \u00ablanza o ladr\u00f3n Alberto Candia en C\u00e1diz se ha convertido en un relato que crece y cambia de forma al ir de boca en boca entre los habitantes de Atacama. Cuentan que, a finales de los a\u00f1os 70, cuando la tortura de la dictadura hizo que los melandros migraran hacia tierras con castigos menos severos, Candia parti\u00f3 de Chile y lleg\u00f3 a Espa\u00f1a, se fue al sur, a Andaluc\u00eda, y all\u00ed realiz\u00f3 su m\u00e1xima fechor\u00eda: desvalijar la Catedral de C\u00e1diz. En el desierto chileno, los j\u00f3venes creen que Candia enterr\u00f3 el bot\u00edn en alguna parte de las monta\u00f1as de ese paisaje r\u00edgido y austero, y a\u00fan lo buscan. El pillo Alberto ha adquirido caracter\u00edsticas heroicas alimentadas por la imaginaci\u00f3n y la creaci\u00f3n colectiva, su historia es un conjunto de pedazos de cada quien. La oreja que le cort\u00f3 su esposa en una disputa aparece en diferentes lugares del desierto como reminiscencia del relato. Por medio de entrevistas a sus familiares y a sus secuaces, la pel\u00edcula traza un recorrido en esa b\u00fasqueda de comprobaci\u00f3n del mito entre el paisaje de Atacama y el de C\u00e1diz, al tiempo que hace una reescritura de lo real por medio de la ficci\u00f3n. La c\u00e1mara deambula, husmea e indaga por las casas y las calles de esos dos territorios unidos por el hilo turbador del oro. Oro que rob\u00f3 Candia, oro del suelo de Atacama, oro de las Am\u00e9ricas en la catedral de Espa\u00f1a.<\/p>

Por Diana Prada Rojas<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Pa\u00eds:<\/strong> Chile, Francia, B\u00e9lgica<\/span>
A\u00f1o:<\/strong> 2024
Duraci\u00f3n:<\/strong> 85 min
Producci\u00f3n:<\/strong> Isabel Orellana Guarello – Quentin Brayer – Alice Lemaire
Fotograf\u00eda:<\/strong> Andr\u00e9s Jord\u00e1n, Mathieu Gaudet
Sonido:<\/strong> Andr\u00e9 Mill\u00e1n, Lancelot Herv\u00e9-Mignucci
Montaje:<\/strong> Laura Rius Aran, L\u00e9a Chatauret, Francisco Rodriguez Teare\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Trailer<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Director<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tFrancisco Rodr\u00edguez Teare<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
\"\"\n

Francisco Rodriguez Teare es un artista y director itinerante entre Chile y Francia, enfocado en la imagen en movimiento acompa\u00f1ada del v\u00eddeo y la instalaci\u00f3n. Desde 2015 ha creado trabajos enfocado en el video y la instalaci\u00f3n, exhibi\u00e9ndolos en festivales de cine y galer\u00edas de arte.\nSu trabajo explora el flujo del poder entre las redes globales y los territorios, los vestigios de la muerte en el mundo, la tradici\u00f3n oral y la intersecci\u00f3n entre la oralidad y el mito popular.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Funciones<\/h2>

D\u00eda:<\/strong> Miercoles 30 de octubre 2024
Sala:<\/strong> Sala 3
Hora:<\/strong> 14:00 hr
Lugar:<\/strong> Cinemateca de Bogot\u00e1<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tADQUIERE TU BOLETA<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Otro Sol COMPETENCIA IBEROAMERICANA Rese\u00f1a Entre la ficci\u00f3n y el documental se encuentra el mito. El realizador Francisco Rodr\u00edguez Teare […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2764","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\n12_Otro Sol - Midbo 27<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/versiones.midbo.co\/27\/12_otro-sol\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"12_Otro Sol - Midbo 27\" \/>\n<meta property=\"og:description\" content=\"Otro Sol COMPETENCIA IBEROAMERICANA Rese\u00f1a Entre la ficci\u00f3n y el documental se encuentra el mito. 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El realizador Francisco Rodr\u00edguez Teare […]","_links":{"self":[{"href":"https:\/\/versiones.midbo.co\/27\/wp-json\/wp\/v2\/pages\/2764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/versiones.midbo.co\/27\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/versiones.midbo.co\/27\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/versiones.midbo.co\/27\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/versiones.midbo.co\/27\/wp-json\/wp\/v2\/comments?post=2764"}],"version-history":[{"count":20,"href":"https:\/\/versiones.midbo.co\/27\/wp-json\/wp\/v2\/pages\/2764\/revisions"}],"predecessor-version":[{"id":4751,"href":"https:\/\/versiones.midbo.co\/27\/wp-json\/wp\/v2\/pages\/2764\/revisions\/4751"}],"wp:attachment":[{"href":"https:\/\/versiones.midbo.co\/27\/wp-json\/wp\/v2\/media?parent=2764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}