{"id":319,"date":"2022-10-10T06:42:57","date_gmt":"2022-10-10T06:42:57","guid":{"rendered":"https:\/\/midbo.co\/?p=14058"},"modified":"2024-09-11T21:08:07","modified_gmt":"2024-09-12T02:08:07","slug":"programas-cine-documental-24-midbo-emociondeloreal","status":"publish","type":"post","link":"https:\/\/versiones.midbo.co\/26\/programas-cine-documental-24-midbo-emociondeloreal\/","title":{"rendered":"Programas Cine Documental 24 MIDBO #Emoci\u00f3ndeloReal"},"content":{"rendered":"\t\t
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La Muestra Internacional Documental de Bogot\u00e1 comparte el programa completo de la Secci\u00f3n Cine Documental<\/em><\/p>\n

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9 programas conforman la secci\u00f3n fundamental de esta edici\u00f3n, 6 programas curados por el equipo de programaci\u00f3n, una funci\u00f3n retrospectiva y 2 programas especiales. La curadur\u00eda de los programas que componen\u00a0Emoci\u00f3n de lo Real\u00a0<\/strong>busca resaltar el cine documental que va m\u00e1s all\u00e1 del documento, de lo explicativo, de lo hist\u00f3rico. \u2018El cine de lo real\u2019, como hemos dado en llamar hoy a todo aquello que envuelve el documental, no es entendido en esta propuesta como una relator\u00eda fiel de la realidad.<\/p>\n

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Se transmuta en gesto, archivo de los afectos, contiene revelaciones desde los m\u00e1s \u00edntimos abismos, saberes que no provienen de la raz\u00f3n, elucubraciones y presagios. A su vez es un cine que se mueve entre los territorios y el cuerpo para trazar una cartograf\u00eda de resistencias. El programa\u00a0Espejos M\u00f3viles<\/strong>\u00a0nos\u00a0devuelve\u00a0el reflejo de la tierra como sujeto de derechos donde el agua, los tejidos, los cantos constituyen entramados de pertenencia y defensa de la vida. Los programas especiales involucran\u00a0Afectos a la verdad<\/strong>\u00a0en los que el Legado de la Comisi\u00f3n de la Verdad nos recuerda la responsabilidad que tenemos por apropiarnos de esta b\u00fasqueda incansable.\u00a0Creando documentales<\/strong>\u00a0nos lleva a explorar la relaci\u00f3n de los creadores m\u00e1s j\u00f3venes con el cine de lo real. Las pantallas de la MIDBO se iluminan con las emociones que atraviesan el cine de creadoras de diversas generaciones: El amor eficaz de Marta Rodr\u00edguez nos deja en primer plano el inagotable pacto de afectos con el territorio y la resistencia de una figura fundamental para la historia del documental. Finalmente, la funci\u00f3n de retrospectiva de Juanita Onzaga nos propone sumergirnos en las hibridaciones m\u00edsticas de la obra de una joven creadora que regresa a Bogot\u00e1 para ofrecer a la ciudad el resultado de una ruta entre cercan\u00edas y distancias para terminar en la visi\u00f3n de futuro de\u00a0El ma\u00f1ana es un palacio de agua.<\/em><\/p>\n

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Conoce los programas:<\/b><\/p>\n

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El silencio de los Archivos<\/p>\n

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Herbaria. Leandro Listorti. Argentina, 2022
El silencio del topo. Ana\u00efs Taracena. Guatemala, 2021
Nuestra Pel\u00edcula. Diana Bustamante. Colombia, 2021
Los caballos mueren al amanecer. Ione Atenea Lameiro Garayoa. Espa\u00f1a, 2022
Rosa Rosae. La Guerra civil. Carlos Saura. Espa\u00f1a, 2021
Un cielo impasible. David Varela. Espa\u00f1a, 2021
Danubio. Agustina P\u00e9rez Rial. Argentina, 2021
These are not our memories. Patrick James Alexander y Aseneth Su\u00e1rez Ruiz. Colombia, 2022
El sonido de los grillos. Bibiana Rojas G\u00f3mez, Juan David Maldonado y Juli\u00e1n David Guti\u00e9rrez. Colombia, 2022
I suoni del tempo. Jeissy Trompiz. Venezuela, 2022
Los Zuluagas. Flavia Montini. Colombia-Italia, 2022<\/p>\n

Visita el programa<\/a><\/p>\n

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Gesto Decolonial<\/b><\/p>\n

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Niwi Umukin. El tiempo recobrado. Pablo Mora. Colombia, 2022
Imapaqmi Peliculata Ruwasunman. Tomas Saralegui y Luz de la Fuente Bordalecu. Per\u00fa, 2020
Yarokamena. Andr\u00e9s Jurado. Colombia, 2022
Aribada. Natalia Escobar y Simon(e) Jaikiriuma Paetau. Colombia – Alemania, 2021<\/p>\n

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Xar \u2013 Sue\u00f1o de Obsidiana. Fernando Pereira Dos Santos y Edgar Rolando Calel Ap\u00e9n. Brasil, 2022
Ekobio. Elkin Calder\u00f3n Guevara y Diego Pi\u00f1eros Garc\u00eda. Colombia, 2021
Pakucha. Tito Catacora. Per\u00fa, 2021
In the name of Scheherazade or the first Beergarden in Tehran. Narges Kalhor. Alemania – Ir\u00e1n, 2019<\/p>\n

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Visita el programa<\/b><\/a><\/p>\n

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Constelaciones Afectivas<\/b><\/p>\n

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\u00a0Los Vivos y los Muertos. Manuel F. Contreras. Colombia \/ 2021 \/ 96′\u00a0
\u00bfA qu\u00e9 suenan tus ojos? Ana Cristina Monroy. Colombia \/ 2021 \/ 80′
Para su tranquilidad haga su propio museo. Pilar Moreno y Ana Endara. Panam\u00e1 \/ 2021 \/ 71′
Malintzin 17. Eugenio Polgovsky y Mara Polgovsky \/ M\u00e9xico \/ 2022 \/ 64′\u00a0
SilencioVozRuido. Gonzalo Lug\u00f3n. Per\u00fa \/ 2021 \/10′\u00a0
Puerperio. Pili \u00c1lvarez. Espa\u00f1a \/ 2022 \/ 45′
Disonar. Liliana D\u00edaz Castillo, Jana Montllor Blanes, Luc\u00eda Dapena y Melisa Ram\u00edrez. Espa\u00f1a \/ 2022 \/ 12′\u00a0
Pineda’92. Raquel Barrera. Espa\u00f1a \/ 2022 \/ 11′\u00a0\u00a0
Petite Fille (Una ni\u00f1a). S\u00e9bastien Lifshitz. Francia \/ 2020 \/ 85′\u00a0<\/p>\n

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Visita el programa<\/b><\/a><\/p>\n

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Territorios Abisales<\/b><\/p>\n

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Todas mis cicatrices se desvanecen en el viento. Ang\u00e9lica Restrepo Guzm\u00e1n y Carlos Velandia. Colombia \/ 2022 \/ 14′
The old child. Felipe Esparza. Per\u00fa, China, Francia \/ 2021 \/16′
No te ag\u00fcites. Juan Vicente Manrique M\u00e9xico \/ 2021 \/ 20′
Busc\u00f3 a Satan\u00e1s, encontr\u00f3 la familia. Miguel \u00c1ngel Fajardo Colombia \/ 2021 \/ 22′
Lumbre. Carolina Mej\u00eda Salazar \/ Colombia \/ 2021 \/ 11′
Fuego en el mar. Sebasti\u00e1n Zanzottera \/ Argentina \/ 2022 \/ 15′
Abisal. Alejandro Alonso \/ Cuba, Francia \/ 2021 \/ 30′
Presagio. Juliana Zuluaga y Tiagx V\u00e9lez \/ Colombia \/ 2022 \/ 26′
Sombra vertical. Felipe Elgueta y Anank\u00e9 Pereira \/ Chile \/ 2022 \/ 14′<\/p>\n

Visita el programa<\/a><\/p>\n

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Cartograf\u00eda de Resistencias<\/b><\/p>\n

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T\u00f3tem. Unidad de Montaje Dial\u00e9ctico M\u00e9xico \/ 2022 \/ 65′
Geographies of Solitude (Geograf\u00edas de la soledad). Jacquelyn Mills \/ Canad\u00e1 \/ 2022\/ 103′
A m\u00e3e de todas as lutas (La madre de todas las luchas). Susanna Lira \/ Brasil \/ 2021 \/ 84′
Camilo Torres Restrepo, el amor eficaz. Marta Rodr\u00edguez y Fernando Restrepo \/ Colombia \/ 2022 \/ 71\u2019
Mato seco em chamas. Adirley Queir\u00f3s y Joana Pimenta
Brasil, Portugal \/ 2022 \/ 153′
Ante un espejo oscuro. Ricardo Perea y Julio Lama\u00f1a \/ Colombia, Espa\u00f1a \/ 2022 \/ 47′
Quem de direito. Ana Galizia \/ Brasil \/ 2022 \/ 22′
El alma cuando sale. Santiago Lozano y Mauricio Prieto Muriel \/ Colombia \/ 2021 \/ 50′
Balanta. Fernanda Pineda y Gregor Kuhlmann \/ Colombia \/ 2021 \/ 11′
Ajenos a la paz. Noah Debonis y Laura Angel Rengifo \/ Colombia \/ 2022 \/ 87′<\/p>\n

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Visita el programa<\/b>\u00a0<\/a><\/p>\n

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Programadores: <\/b>Maria Luna Rassa, Juan Pablo Franky, Pedro Adri\u00e1n Zuluaga, Andr\u00e9s Pedraza.<\/p>\n

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Programadores asociados: <\/b>Pablo \u00c1lvarez Mesa, Juliana Arana, B\u00edbata Uribe y Juan Camilo \u00c1lvarez<\/p>\n

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Programadores asociados al comit\u00e9 de selecci\u00f3n: <\/b>Leonardo Su\u00e1rez, Paula Fonseca, Cristian Duque, Juan Pablo Melo, Lissette Orozco, Maria P\u00eda Quiroga, Carlos Cordero, Pilar Perdomo y Carlos Rodr\u00edguez Aristiz\u00e1bal.<\/p>\n

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Espejos M\u00f3viles<\/b><\/p>\n

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Flores de la llanura. Mariana X. Rivera \/ M\u00e9xico \/ 2021 \/ 19′
Expurgo. Mauricio Carmona Rivera \/ Colombia \/ 2021 \/ 23′
Se Alquilan lavadoras. Jeferson Romero \/ Colombia \/ 2021 \/ 20′
El canto de las moscas. Ana Mar\u00eda Vallejo \/ Colombia, Alemania \/ 2021 \/ 43′
\u00bfQui\u00e9n gobierna el R\u00edo Atrato? Carlos G\u00f3mez \/ Colombia \/ 2022 \/ 55′
Acuatenientes Andr\u00e9s Gil \/ Colombia \/ 2021 \/ 16′
Chi Ma Nkongo. Lucas Silva \/ Colombia \/ 2021 \/ 68′
Un plan de vida. Sjoerd Van Grootheest \/ Colombia \/ 2022 \/ 75′
Nu Isuik (Un saber muy grande). Luis Tr\u00f3chez Tunubal\u00e1
Colombia \/ 2022 \/ 26′<\/p>\n

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Este programa cuenta con el apoyo de la Embajada de Canad\u00e1 y Fescol. 8 de estas pel\u00edculas estar\u00e1n disponibles para toda Colombia en la plataforma Retina Latina<\/a> entre el 25 de octubre y el 25 de noviembre de 2022<\/p>\n

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Programadores: <\/b>Andr\u00e9s Pedraza, Adriana H. Bocanegra y Maria Fernanda Carrillo<\/p>\n

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Visita el programa<\/b><\/a><\/p>\n

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Hibridaciones M\u00edsticas. Retrospectiva Juanita Onzaga<\/b><\/p>\n

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El ma\u00f1ana es un palacio de agua. Juanita Onzaga \/ Colombia, B\u00e9lgica, M\u00e9xico, Italia \/ 2022 \/ 15′
Nuestro canto a la guerra \/ Juanita Onzaga \/ Colombia, B\u00e9lgica \/ 2018 \/ 14\u2019
La jungla te conoce mejor que t\u00fa mismo \/ Juanita Onzaga \/ Colombia, B\u00e9lgica \/ 2017 \/ 15′<\/p>\n

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Mas info<\/b><\/a><\/p>\n

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Afectos a la verdad. Legado Comisi\u00f3n de la Verdad<\/b><\/p>\n

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Despu\u00e9s del fuego. Fragmentos de una transici\u00f3n. Jos\u00e9 Miguel Am\u00edn Martelo \/ Colombia \/ 2022 \/ 95 minutos. Estreno mundial<\/p>\n

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Duna Kwasi. Amado Villafa\u00f1a, Colectivo Yosokwi \/ Colombia Sierra Nevada de Santa Marta \/ 2021 \/ serie 30 minutos
Relatos de adultos contados por ni\u00f1os. Jos\u00e9 Alirio Gonz\u00e1lez \u2013 Escuela Audiovisual Infantil \/ Colombia \/ 2021 \/ serie 17 min<\/p>\n

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Este programa hace parte de la ruta de festivales de ANAFE para la divulgaci\u00f3n del Legado de la Comisi\u00f3n de la Verdad.<\/p>\n

M\u00e1s info<\/a><\/p>\n

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CREAndo Documentales. Programa retrospectivo en alianza con los colectivos del \u00e1rea de audiovisuales Crea- Idartes<\/b><\/p>\n

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Los 13. Colectivo Wonder\/La Rola del Rolo. 2020. 5\u2019<\/p>\n

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Caimanas: para todas las putas. La Yagua. Colectivo Las Santas Films. 2022. 5\u2019<\/p>\n

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Charlas de tinto. Colectivo Wonder\/La Rola del Rolo. 2019. 11\u2019<\/p>\n

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El cumplea\u00f1os de mi madre. Colectivo Bosque Popular. 2021. 6\u2019<\/p>\n

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Feminismo para torpes. Ang\u00e9lica Losada \u2013 Integrante del colectivo Vuelta al ruedo. 2022. 8\u2019<\/p>\n

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La revoluci\u00f3n de los ninis. Colectivo Neofilms. 2022. 9\u2019<\/p>\n

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Vidas sobre ruedas. Colectivo Cine-Xperiencia. 2018. 6\u2019<\/p>\n

Programado por: <\/b>Julio Lama\u00f1a, Patricia Ayala y Carlos Cordero<\/p>\n

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M\u00e1s info<\/a>\u00a0<\/b><\/p>\n

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La Muestra Internacional Documental de Bogot\u00e1 comparte el programa completo de la Secci\u00f3n Cine Documental 9 programas conforman la secci\u00f3n […]<\/p>\n","protected":false},"author":1,"featured_media":320,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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