{"id":3849,"date":"2024-09-30T21:28:45","date_gmt":"2024-10-01T02:28:45","guid":{"rendered":"https:\/\/midbo.co\/?page_id=3849"},"modified":"2024-10-25T15:40:09","modified_gmt":"2024-10-25T20:40:09","slug":"proyecciones-especiales","status":"publish","type":"page","link":"https:\/\/versiones.midbo.co\/26\/proyecciones-especiales\/","title":{"rendered":"PROYECCIONES ESPECIALES"},"content":{"rendered":"\t\t
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PROYECCIONES ESPECIALES<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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EL CORAZ\u00d3N DE LAS BRUJAS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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H\u00e4xan<\/i> o <\/span>La historia de la brujer\u00eda a trav\u00e9s de los tiempos<\/i> (Christensen, 1922), es una comprobaci\u00f3n de la frase que asegura: <\/span>el h\u00e1bito no hace al monje pero oculta sus erecciones<\/i>.<\/span>
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Presentada como un documental al que ilustra la puesta en escena de aventuras er\u00f3ticas y desquiciadas por la presencia del Diablo, capaz de llevar a sus v\u00edctimas hacia los rituales de la hechicer\u00eda, la lujuria y una posible locura, la brujer\u00eda seg\u00fan Christensen describe a los inquisidores y a su larga historia de cr\u00edmenes a nombre de Dios, cometidos desde el siglo XII hasta el siglo XVI, torturando a mujeres indefensas que supuestamente vulneraban el poder divino con sus proezas mal\u00e9volas e inexplicables.<\/span><\/p>\n

Tras un repaso de los antecedentes que condujeron a la creaci\u00f3n de tribunales eclesi\u00e1sticos para juzgar a las brujas, la picaresca secreta de la Iglesia y de sus monjes es revelada por la ansiedad de una criada que quiere seducir al fraile para el que trabaja. Las brujas le entregan a la rijosa mujer una p\u00f3cima que enloquece al hombre agazapado detr\u00e1s del h\u00e1bito y demuestra que sus pasiones mundanas son incontrolables, hasta el punto que corretea a la mujer por el bosque donde la atrapa con sus brazos inquietos y regordetes.<\/span><\/p>\n

Los inquisidores como inspiradores accidentales de relatos fant\u00e1sticos para que las brujas \u201cconfesaran\u201d sus pecados, escuchan complacidos la visita imaginaria que hace una de ellas a un aquelarre en el que son sacrificados ni\u00f1os sin bautizar, las mujeres se pasean desnudas, insultan la misa y sus objetos sagrados, presentan sus respetos al Diablo bes\u00e1ndolo en el trasero y descomponen el orden establecido en la clandestinidad del jolgorio.<\/span><\/p>\n

Un trance ingobernable que tambi\u00e9n sufre una monja cuando se cuela al convento el aguij\u00f3n de la histeria y de su crisis neur\u00f3tica, creando un caos por la maternidad frustrada de la mujer que le pide su Ni\u00f1o en pr\u00e9stamo a una imagen de la Virgen, alz\u00e1ndolo como un placebo del hijo que jam\u00e1s tendr\u00e1.<\/span><\/p>\n

Tras la exposici\u00f3n de cr\u00edmenes y atentados contra la mujer a nombre de la Iglesia, Christensen concluye que las ancianas del siglo XX habr\u00edan sido juzgadas en la Edad Media, cuando las deformidades anat\u00f3micas \u2013jorobas, cojeras, ojos torcidos o tuertos\u2013 eran consideradas se\u00f1ales diab\u00f3licas que las delataban.<\/span><\/p>\n

A\u00fan as\u00ed, la inquisici\u00f3n no termina. Para Christensen, su equivalente en los a\u00f1os 20 era el siquiatra y sus tratamientos cl\u00ednicos, capaz de diagnosticar los des\u00f3rdenes en el comportamiento femenino. M\u00e1s a\u00fan cuando el malestar revela el caos de las pasiones.<\/span><\/p>

Por Hugo Chaparro Valderrama \/ Laboratorios Frankenstein\u00a9
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H\u00e4xan: La brujer\u00eda a trav\u00e9s de los tiempos<\/h3>
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HOMENAJE ALADOS
Gustavo Fern\u00e1ndez, una vida en el arte del documental<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Es dif\u00edcil abarcar en un breve texto la trayectoria de Gustavo Fern\u00e1ndez, un hombre que ha dedicado su vida al documental, a la docencia y a la cr\u00edtica del devenir pol\u00edtico del pa\u00eds. Es un ser escurridizo, irreverente y polifac\u00e9tico que no le teme a adentrarse en los rincones m\u00e1s profundos de Colombia y al mismo tiempo puede moverse con naturalidad por diversos circuitos art\u00edsticos europeos, donde se form\u00f3 como cineasta. Su vida est\u00e1 llena de an\u00e9cdotas y \u00e9l no se mide en palabras para contarlas como buen narrador que es.<\/span><\/p>

Pero para conocerlo mejor es preferible remitirnos a su obra\u2026 En ella, Gustavo ha sabido capturar la complejidad del alma humana, mostrando siempre una sensibilidad por los excluidos y una visi\u00f3n aguda de la sociedad latinoamericana. En \u00e9l conviven, en una armon\u00eda desafiante y robusta, el rigor acad\u00e9mico y la pasi\u00f3n del activista, la sensibilidad del artista y la voz del intelectual.<\/span><\/p>

Desde sus inicios en la d\u00e9cada de 1990, Gustavo ha explorado las facetas m\u00e1s diversas del documental, siempre con una voz y narrativa muy personal. Su capacidad para transitar por los espacios m\u00e1s rec\u00f3nditos del pa\u00eds, de poder reflexionar desde su propia condici\u00f3n, de ser un eterno viajero y hombre de mundo, lo ha llevado a abarcar todo tipo de documentales.\u00a0<\/span><\/p>

En su filmograf\u00eda destacan trabajos que han recibido importantes reconocimientos, como <\/span>El diablo y la rumba<\/span><\/i>, obra fren\u00e9tica sobre el universo del rebusque popular, premiado en Par\u00eds y Nueva York, y <\/span>De(s)amparo-Polifon\u00eda familiar<\/span><\/i>, una pel\u00edcula profundamente personal y pionera en Colombia, que obtuvo la Menci\u00f3n Honor\u00edfica en el Premio Nacional Audiovisual del Ministerio de Cultura en 2004, particip\u00f3 en Film-Land Kolumbien, Berl\u00edn 2004, Docs Barcelona, y en nuestra MIDBO en 2002.\u00a0<\/span><\/p>

En <\/span>Cicatrices en la tierra<\/span><\/i> (2022), estrenada en un momento imprescindible del panorama convulso nacional y con una exitosa temporada en la Cinemateca de Bogot\u00e1, nos ofrece una reflexi\u00f3n profunda sobre la memoria, la paz y la reconciliaci\u00f3n, mostrando las huellas del conflicto armado en una sociedad dispuesta a perdonar. Estos son tres ejemplos de una filmograf\u00eda que recomendamos ver en su totalidad.<\/span><\/p>

A lo largo de sus m\u00e1s de 30 a\u00f1os de carrera, Gustavo tambi\u00e9n ha sido un formador clave de nuevas generaciones de cineastas. Su labor como docente en la Universidad Nacional de Colombia, as\u00ed como en otras instituciones, ha sido fundamental para el cine documental en el pa\u00eds. Esto le ha permiti\u00f3 formar a toda una generaci\u00f3n de realizadores que hoy siguen sus pasos, comprometidos con un cine consecuente y que son conscientes de la valiosa persona que es. Un cineasta profundamente generoso con el conocimiento y siempre presto a dar un consejo, una retroalimentaci\u00f3n o la mano a quien lo necesite. Eso es quiz\u00e1s una manifestaci\u00f3n de la pasi\u00f3n que lo impulsa y que nos asegura que vendr\u00e1n muchas historias m\u00e1s.<\/span><\/p>

Por Andr\u00e9s Pedraza Tabares<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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De(s)amparo. Polifon\u00eda familiar<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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M\u00daSICA Y DEPORTE
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PROYECCI\u00d3N ESPECIAL WE CAM FEST\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Mineland<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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PROYECCI\u00d3N ESPECIAL CON HEINO DECKERT<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Material<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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PROYECCIONES ESPECIALES EL CORAZ\u00d3N DE LAS BRUJAS H\u00e4xan o La historia de la brujer\u00eda a trav\u00e9s de los tiempos (Christensen, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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