{"id":172,"date":"2024-08-05T02:36:47","date_gmt":"2024-08-05T02:36:47","guid":{"rendered":"https:\/\/midbo.co\/?page_id=172"},"modified":"2024-10-04T14:45:11","modified_gmt":"2024-10-04T19:45:11","slug":"equipo-pensarloreal","status":"publish","type":"page","link":"https:\/\/versiones.midbo.co\/26\/equipo-pensarloreal\/","title":{"rendered":"Equipo"},"content":{"rendered":"\t\t
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EQUIPO ENCUENTRO PENSAR LO REAL<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMaria Luna Rassa<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

\"\"Coordinadora Seminario<\/h3>

Es coordinadora acad\u00e9mica y programadora asociada en muestras y festivales de cine como MIDBO, FICCALI y Mostra de Cinema Colombi\u00e0 en Barcelona. Doctora por la Universidad Aut\u00f3noma de Barcelona con Maestr\u00eda en literatura en el Instituto Caro y Cuervo.\u00a0 Es Profesora asociada en TecnoCampus, Universitat Pompeu Fabra desde 2016. Con m\u00e1s de 15 a\u00f1os de experiencia en el sector audiovisual fue productora delegada en Se\u00f1alColombia\/RTVC, asesora en el Ministerio de Cultura de Colombia y recientemente directora art\u00edstica en la MIDBO. Es miembro de la junta de ALADOS 2024.<\/p>

Contacto: mariamidbo@gmail.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\"\"Productora Seminario Pensar lo real<\/h3>

Es Coordinadora Jr de Programaci\u00f3n del Festival Internacional de Cine de Cartagena de Indias (FICCI) y ha trabajado durante cuatro a\u00f1os con la Muestra Internacional Documental de Bogot\u00e1 (MIDBO), donde actualmente se desempe\u00f1a como productora del Seminario Pensar lo Real. En 2022, dirigi\u00f3 el 24\u00b0 Festival Universitario de Cine y Audiovisuales Equinoxio de la Universidad Nacional. Su trayectoria, adem\u00e1s de la gesti\u00f3n cultural, incluye roles destacados como directora de arte y sonidista en proyectos cinematogr\u00e1ficos.<\/p><\/div>

Es estudiante de Filosof\u00eda en la Universidad Nacional de Estudios a Distancia, Espa\u00f1a.<\/div>
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Contacto: maalvareze@unal.edu.co<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\"\"Coordinadora del Laboratorio de escritura<\/h3>\n

Realizadora de cine de la Universidad Nacional de Colombia. Es miembro de la Federaci\u00f2n Internacional de Cr\u00ecticos de Cine FIPRESCI. Es Berlinale talents alumni y en 2023 gana la beca Corrientes para participar como programadora emergente en el seminario Flaherty. Ha sido jurado de la cr\u00edtica internacional en diferentes festivales de cine. Actualmente es coordinadora de programaci\u00f3n de la Cinemateca de Bogot\u00e1. Enfoca su trabajo en la ecolog\u00eda, el cine y los estudios de g\u00e9nero.<\/p>\n

Contacto: vgiraldosn@gmail.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tPedro Adri\u00e1n Zuluaga<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Coordinador del Laboratorio de escritura<\/h3>

Comunicador social-periodista y Magister en Literatura. Ha publicado, entre otros, los libros Literatura, enfermedad y poder en Colombia: 1897-1935<\/em>, Cine colombiano: c\u00e1nones y discursos dominantes<\/em> y Todas las cosas y ninguna. En busca de Fernando Molano Vargas<\/em>, adem\u00e1s de m\u00faltiples art\u00edculos en medios colombianos e internacionales.\u00a0 Ha sido programador de cine en espacios como el Festival de Cine de Cartagena de Indias-FICCI y Se\u00f1al Colombia. Actualmente es docente universitario y columnista en el portal Raz\u00f3n P\u00fablica.<\/p>

Contacto: pedroadrianzuluaga@gmail.com\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCarlos Cordero<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Coordinador del Laboratorio de Montaje Documental – Corte Final – ECCA<\/h3>

Montajista. Realizador de Cine y Televisi\u00f3n egresado de la Universidad Nacional de Colombia. Desde el 2006 ha trabajado como montajista en m\u00e1s de cine y televisi\u00f3n con especial \u00e9nfasis en el cine de lo real. Docente y asesor de proyectos documentales en diferentes espacios acad\u00e9micos. Miembro fundador de la Asociaci\u00f3n de Editores Cinematogr\u00e1ficos Colombianos (ECCA) <\/strong>y miembro de la Corporaci\u00f3n Colombiana de Documentalistas (ALADOS<\/strong>).<\/strong><\/p>

Contacto: carlosf.cordero@gmail.com\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tIsabel Ot\u00e1lvaro<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Tutora Laboratorio de Montaje<\/h3>

Estudi\u00f3 comunicaci\u00f3n social en la UPB en Medell\u00edn y realiz\u00f3 estudios en teor\u00eda y pr\u00e1ctica del cine en la Universidad Paris I, donde culmin\u00f3 la Maestr\u00eda en creaci\u00f3n y an\u00e1lisis cinematogr\u00e1fico. Se form\u00f3 adem\u00e1s como montajista en los Ateliers Varan <\/em>de Par\u00eds. Montajista de los largometrajes de ficci\u00f3n: Los Nadie <\/em><\/strong>(Juan Sebasti\u00e1n Mesa. Premio del P\u00fablico de la Semana de la Cr\u00edtica del Festival de Cine de Venecia, 2016<\/em>); Eso que llaman amor <\/em><\/strong>(Carlos C\u00e9sar Arbel\u00e1ez. FICCI 2016, Miami International Film Festival, 2017.<\/em>) y Alix <\/em><\/strong>(Ana Mar\u00eda Hermida, WIP)<\/em>. Editora en set de La mujer del animal <\/em><\/strong>(V\u00edctor Gaviria, 2016). Edit\u00f3 tambi\u00e9n los documentales: Estancia <\/em><\/strong>(Andr\u00e9s Carmona, FICCI, 2024); Hasta que se apague el Sol <\/em><\/strong>(Jonas Brander. Visioni dal Mondo, Mil\u00e1n, 2023<\/em>), Tengo una bala en mi cuerpo <\/em><\/strong>(Ra\u00fal Soto, MIDBO, 2014<\/em>), y Andariega<\/em><\/strong>,\u00a0 (Ra\u00fal Soto, WIP). Edit\u00f3 los cortometrajes: Tocando el cielo, Truabi, La Madre de las Madres, El juicio, Los p\u00e1jaros vuelan de a dos, Los Santos<\/em><\/strong> entre otros. Particip\u00f3 como editora en la primera temporada de la serie Distrito Salvaje<\/em><\/strong>. Fue nominada a los premios Macondo por el montaje de la pel\u00edcula Los Nadie<\/em>.<\/strong><\/p>

Contacto: isaotalvaro@gmail.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDavid Rojas S\u00e1nchez<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Tutor Laboratorio de Montaje<\/h3>

Realizador documental y editor de cine. Maestro en Artes Visuales de la Universidad Javeriana de Bogot\u00e1. M\u00e1ster en Cine Documental de Creaci\u00f3n de la Universidad Pompeu Fabra de Barcelona. Ha trabajado en los procesos de edici\u00f3n de largometrajes documentales como: \u201cDemonstration\u201d (2013, Rusia-Espa\u00f1a) de Victor Kossakovsky, \u00abTodo comenz\u00f3 por el fin\u00bb (2015, Colombia) de Luis Ospina y \u00abAmazona\u00bb de Claire Weisskopf (2016, Colombia).\u00a0 As\u00ed mismo ha hecho parte de los equipos editoriales de series de ficci\u00f3n para plataformas de streaming como Frontera Verde (2019, Netflix), Distrito Salvaje II (2019, Netflix) y \u00abRuido Capital\u00bb (2019, Movistar). Co-edit\u00f3 el largometraje documental \u00abDespu\u00e9s de Norma\u00bb (2018, S\u00c9PTIMA FILMS) ganador del premio Macondo a mejor largometraje documental (2021). Entre sus \u00faltimos trabajos como editor se encuentran los largometrajes documentales \u00abPETRO\u00bb (2023, Guagua Films) dirigido por Sean Mattison y \u00abTORO\u00bb (2023, Gusano Films) dirigido por Ginna Ortega y Adriana Bernal nominado a los premios Macondo (2023) por Mejor Montaje. Ha sido docente universitario y tallerista en la Escuela Internacional de Cine Y Televisi\u00f3n de San Antonio de los Ba\u00f1os, Cuba. Miembro de Editores Cinematogr\u00e1ficos Colombianos Asociados ECCA.<\/p>

Contacto: d.rojas787@gmail.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tLina Abril Sierra Pineda<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Asistente de producci\u00f3n<\/h3>

Estudiante de Cine y Televisi\u00f3n de \u00faltimo semestre. Jurado invitada de NEST San Sebasti\u00e1n 2023 y productora de campo en Fantasofest 2022.<\/p>

Contacto: abrilsierrapineda@gmail.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMaria Luna Rassa<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Coordinadora Seminario<\/h3>

Es coordinadora acad\u00e9mica y programadora asociada en muestras y festivales de cine como MIDBO, FICCALI y Mostra de Cinema Colombi\u00e0 en Barcelona. Doctora por la Universidad Aut\u00f3noma de Barcelona con Maestr\u00eda en literatura en el Instituto Caro y Cuervo.\u00a0 Es Profesora asociada en TecnoCampus, Universitat Pompeu Fabra desde 2016. Con m\u00e1s de 15 a\u00f1os de experiencia en el sector audiovisual fue productora delegada en Se\u00f1alColombia\/RTVC, asesora en el Ministerio de Cultura de Colombia y recientemente directora art\u00edstica en la MIDBO. Es miembro de la junta de ALADOS 2024.<\/p>

Contacto: mariamidbo@gmail.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAntonia Alvarez<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Productora Seminario Pensar lo real<\/h3>

Es Coordinadora Jr de Programaci\u00f3n del Festival Internacional de Cine de Cartagena de Indias (FICCI) y ha trabajado durante cuatro a\u00f1os con la Muestra Internacional Documental de Bogot\u00e1 (MIDBO), donde actualmente se desempe\u00f1a como productora del Seminario Pensar lo Real. En 2022, dirigi\u00f3 el 24\u00b0 Festival Universitario de Cine y Audiovisuales Equinoxio de la Universidad Nacional. Su trayectoria, adem\u00e1s de la gesti\u00f3n cultural, incluye roles destacados como directora de arte y sonidista en proyectos cinematogr\u00e1ficos.<\/p><\/div>

Es estudiante de Filosof\u00eda en la Universidad Nacional de Estudios a Distancia, Espa\u00f1a.<\/div>
\u00a0<\/div>
Contacto: maalvareze@unal.edu.co<\/div><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tValentina Giraldo S\u00e1nchez<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Coordinadora laboratorio de escritura<\/h3>

Realizadora de cine de la Universidad Nacional de Colombia. Es miembro de la Federaci\u00f2n Internacional de Cr\u00ecticos de Cine FIPRESCI. Es Berlinale talents alumni y en 2023 gana la beca Corrientes para participar como programadora emergente en el seminario Flaherty. Ha sido jurado de la cr\u00edtica internacional en diferentes festivales de cine. Actualmente es coordinadora de programaci\u00f3n de la Cinemateca de Bogot\u00e1. Enfoca su trabajo en la ecolog\u00eda, el cine y los estudios de g\u00e9nero.<\/p>

Contacto: vgiraldosn@gmail.com\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tPedro Adri\u00e1n Zuluaga<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Programador<\/h3>

Comunicador social-periodista y Magister en Literatura. Ha publicado, entre otros, los libros Literatura, enfermedad y poder en Colombia: 1897-1935<\/em>, Cine colombiano: c\u00e1nones y discursos dominantes<\/em> y Todas las cosas y ninguna. En busca de Fernando Molano Vargas<\/em>, adem\u00e1s de m\u00faltiples art\u00edculos en medios colombianos e internacionales.\u00a0 Ha sido programador de cine en espacios como el Festival de Cine de Cartagena de Indias-FICCI y Se\u00f1al Colombia. Actualmente es docente universitario y columnista en el portal Raz\u00f3n P\u00fablica.<\/p>

Contacto: pedroadrianzuluaga@gmail.com\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCarlos Cordero<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Coordinador del Laboratorio de Montaje Documental – Corte Final – ECCA<\/h3>

Montajista. Realizador de Cine y Televisi\u00f3n egresado de la Universidad Nacional de Colombia. Desde el 2006 ha trabajado como montajista en m\u00e1s de cine y televisi\u00f3n con especial \u00e9nfasis en el cine de lo real. Docente y asesor de proyectos documentales en diferentes espacios acad\u00e9micos. Miembro fundador de la Asociaci\u00f3n de Editores Cinematogr\u00e1ficos Colombianos (ECCA) <\/strong>y miembro de la Corporaci\u00f3n Colombiana de Documentalistas (ALADOS<\/strong>).<\/strong><\/p>

Contacto: carlosf.cordero@gmail.com\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tIsabel Ot\u00e1lvaro<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

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Tutora Laboratorio de Montaje<\/h3>

Estudi\u00f3 comunicaci\u00f3n social en la UPB en Medell\u00edn y realiz\u00f3 estudios en teor\u00eda y pr\u00e1ctica del cine en la Universidad Paris I, donde culmin\u00f3 la Maestr\u00eda en creaci\u00f3n y an\u00e1lisis cinematogr\u00e1fico. Se form\u00f3 adem\u00e1s como montajista en los Ateliers Varan <\/em>de Par\u00eds. Montajista de los largometrajes de ficci\u00f3n: Los Nadie <\/em><\/strong>(Juan Sebasti\u00e1n Mesa. Premio del P\u00fablico de la Semana de la Cr\u00edtica del Festival de Cine de Venecia, 2016<\/em>); Eso que llaman amor <\/em><\/strong>(Carlos C\u00e9sar Arbel\u00e1ez. FICCI 2016, Miami International Film Festival, 2017.<\/em>) y Alix <\/em><\/strong>(Ana Mar\u00eda Hermida, WIP)<\/em>. Editora en set de La mujer del animal <\/em><\/strong>(V\u00edctor Gaviria, 2016). Edit\u00f3 tambi\u00e9n los documentales: Estancia <\/em><\/strong>(Andr\u00e9s Carmona, FICCI, 2024); Hasta que se apague el Sol <\/em><\/strong>(Jonas Brander. Visioni dal Mondo, Mil\u00e1n, 2023<\/em>), Tengo una bala en mi cuerpo <\/em><\/strong>(Ra\u00fal Soto, MIDBO, 2014<\/em>), y Andariega<\/em><\/strong>,\u00a0 (Ra\u00fal Soto, WIP). Edit\u00f3 los cortometrajes: Tocando el cielo, Truabi, La Madre de las Madres, El juicio, Los p\u00e1jaros vuelan de a dos, Los Santos<\/em><\/strong> entre otros. Particip\u00f3 como editora en la primera temporada de la serie Distrito Salvaje<\/em><\/strong>. Fue nominada a los premios Macondo por el montaje de la pel\u00edcula Los Nadie<\/em>.<\/strong><\/p>

Contacto: isaotalvaro@gmail.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tDavid Rojas S\u00e1nchez<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

\"\"<\/p>

Tutor Laboratorio de Montaje<\/h3>

Realizador documental y editor de cine. Maestro en Artes Visuales de la Universidad Javeriana de Bogot\u00e1. M\u00e1ster en Cine Documental de Creaci\u00f3n de la Universidad Pompeu Fabra de Barcelona. Ha trabajado en los procesos de edici\u00f3n de largometrajes documentales como: \u201cDemonstration\u201d (2013, Rusia-Espa\u00f1a) de Victor Kossakovsky, \u00abTodo comenz\u00f3 por el fin\u00bb (2015, Colombia) de Luis Ospina y \u00abAmazona\u00bb de Claire Weisskopf (2016, Colombia).\u00a0 As\u00ed mismo ha hecho parte de los equipos editoriales de series de ficci\u00f3n para plataformas de streaming como Frontera Verde (2019, Netflix), Distrito Salvaje II (2019, Netflix) y \u00abRuido Capital\u00bb (2019, Movistar). Co-edit\u00f3 el largometraje documental \u00abDespu\u00e9s de Norma\u00bb (2018, S\u00c9PTIMA FILMS) ganador del premio Macondo a mejor largometraje documental (2021). Entre sus \u00faltimos trabajos como editor se encuentran los largometrajes documentales \u00abPETRO\u00bb (2023, Guagua Films) dirigido por Sean Mattison y \u00abTORO\u00bb (2023, Gusano Films) dirigido por Ginna Ortega y Adriana Bernal nominado a los premios Macondo (2023) por Mejor Montaje. Ha sido docente universitario y tallerista en la Escuela Internacional de Cine Y Televisi\u00f3n de San Antonio de los Ba\u00f1os, Cuba. Miembro de Editores Cinematogr\u00e1ficos Colombianos Asociados ECCA.<\/p>

Contacto: d.rojas787@gmail.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t<\/path><\/svg><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tLina Abril Sierra Pineda<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

\"\"<\/h3>

Asistente de producci\u00f3n<\/h3>

Estudiante de Cine y Televisi\u00f3n de \u00faltimo semestre. Jurado invitada de NEST San Sebasti\u00e1n 2023 y productora de campo en Fantasofest 2022.<\/p>

Contacto: abrilsierrapineda@gmail.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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EQUIPO ENCUENTRO PENSAR LO REAL Maria Luna Rassa Coordinadora Seminario Es coordinadora acad\u00e9mica y programadora asociada en muestras y festivales […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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